Big is the first word that comes to mind when I look at Corn’s work. Everything feels larger than life - the variety of work I would expect to have seen on a viking or a pirate way back in the day. Skulls, ships, Brobdingnagian black and wear scenes of confusion and beauty. Corn’s work does it all with a uncreased and detailed depth that explains ground he doesn’t say such about himself - he’s too busy kicking ass with his monster works.